![]() ![]() Upon his return to Cologne later that year, an inspired Schmidt formed a group with American avant-garde composer and flautist David C. In his own words, the trip "corrupted" him, sparking a fascination with the possibilities of rock music. While Schmidt initially spent his time with avant-garde musicians such as Steve Reich, La Monte Young and Terry Riley, he was also eventually exposed to the world of Andy Warhol and Hotel Chelsea. The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. Problems playing this file? See media help. They have been widely hailed as pioneers of the German krautrock scene, and a considerable influence on subsequent rock, post-punk, ambient, and electronic music. Can also had occasional commercial success, with singles such as " Spoon" and " I Want More" reaching national singles charts. Ĭoming from backgrounds in the avant-garde and jazz, the members of Can blended elements of psychedelic rock, funk, and noise on influential albums such as Tago Mago (1971), Ege Bamyasi (1972) and Future Days (1973). The group cycled through several vocalists, most prominently the American-born Malcolm Mooney (1968–70) and the Japanese-born Damo Suzuki (1970–73), as well as various temporary members. Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by the core quartet of Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). ![]()
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